PREVIOUS | Buggs Tha Rocka – Bad Habits
Here is the brand new HHK exclusive with 25 Facts About Buggs Tha Rocka – Scattered Thoughts of an American Poet. The album will be released on the 10th of December 2014 and the iTunes pre-order link will be available soon.
1. For the “Scattered Thoughts of an American Poet” project I originally did over 40 tracks for it
2. I started the new project after taking a trip to Amsterdam last summer 2013
3. I had to search for Piakahn for a few months to get him to put a verse on “Angel of Death”. Very hard to find the OG !
4. I literally named this project “Scattered Thoughts….” because I had so many different ideas, thoughts and emotions that went into this project
5. The Jake One produced track “Thirsty” was originally a MOOD record that Donte personally gave me for my project after I recorded my verse
6. The artwork on the project has 3 different versions. Whether I ever put them all out is as yet still undetermined.
7. Aida Chakra who is featured on a few records on “Scattered Thoughts….” is a Galaxxy Enterprise member
8. This project was initially gonna be a visual album. No audio, just all visuals made up of video releases
9. I had such a hard time cutting records because of emotional attachment and the long sabbatical from hip hop that I almost put out a double disc mixtape
10. The original title of “Scattered Thoughts of an American Poet” was “Mutant Level II: Rise of the Phoenix”
11. This project had two initial release dates before the official December 10th date
12. The first song recorded for the project was “My$tery” produced by Sal Dali
13. Mac Miller was supposes to be on “Phantom of the Opera ” but we couldn’t make it happen because of my time restrictions to finish the project
14. Talib Kweli was supposes to be on “Religiously ” and “Royalty interlude” but again we couldn’t because of scheduling
15. Donte from MOOD and Mac Miller’s DJ Clockwork were basically the unofficial executive producers for this album
16. In the process of recording songs for the project I linked up with Monopoli Management who helped back and support the project
17. My favorite song of the project would be either “Rapture” or “Against Me”
18. “Until the End” is the first official collaboration between MOOD & me
19. Kanye West’s “Graduation” LP and Talib Kweli x MOOD’s “Doom” LP were big inspirations for this album
20. This is the most comfortable I ever been with a project in full
21. Hi- Tek gave a lot of advice to me which helped shape my project
22. “Electric Eel in a Pool of Catfish” got its title from a quote in a local cafe I go to in Cincinnati called SITWELLS
23. 3 of the tracks were recorded in Amsterdam, the rest at home in Cincinnati where I feel most comfortable song writing
24. In a few records you hear my saying “FREE see Hussell” who is my cousin. He has just recently been released from jail after 2 in a half years in time to witness this project’s release!
25. I plan to set up a tour in Europe as well as the States for this particular project, and feel it will be one of the best new hip hop releases of 2015 even tho it will release a bit before the new year on December 10th
PRE-ORDER | Chemically Imbalanced – Chris Webby
XXL Freshman Chris Webby gives Hip-Hop Kings an exclusive 25 facts about his album “Chemically Imbalanced” which fans from the UK can pre-order from the iTunes link listed above.
-I spent every penny of my recording budget that Eone gave me on creating this project, and then some. I bought no chains, cars, or anything of the sort. We even went over budget a bit to be honest. I truly put my everything into Chemically Imbalanced.. physically, emotionally, and most definitely financially.
-The hook to Let’s Do It Again is an homage to the Jay-Z’s lyrics in “Do It Again.”
-There was originally a bridge after the second verse on the song Set It Off that utilized the melody to the Strafe song with the same title. Unfortunately, due to clearance issues I had to take it out completely. Shout to Michelle Trumpler for singing on that while we were in the studio too tho. Dope engineer, singer, and person in general.
-Me and my in house engineer Juice spent an estimated 35-40 hours working on the 3 interludes on the album. They were like constructing audio movies.. the attention to detail we put in was crazy, but I love how they turned out in the end. Totally worth it.
-My homie Kenny Urban did the beatboxing for all 3 of the interludes in one take each. We may have nudged a couple sections the tiniest bit to keep the tempo 100% perfect, but he didn’t layer any of those crazy sound effects or drum noises. Kid is a beast with the beatbox!
-I had a song called Brim Low on my fourth mix tape back in 2010, which was over the instrumental of the song Blind To You by Collie Buddz. That song was produced by Supa Dups. Then, about 4 years later, I ended up getting in the studio with Supa Dups myself and made a completely new song called Brim Low as a little nod to my past.
-I watched Scott Storch make the beat for the title track, Chemically Imbalanced, when we were together in the studio in Miami. We stayed up working on it until about 11 AM. Probably the coolest studio night I’ve experienced thus far. Scott is insane on the keys, and it was dope as hell watching a genius at work.
-The homie who laid the final mix on all of the tracks is Jeff Edwards, who lives down in ATL. Because we couldn’t be in the same room to go over things, I spent more time on the phone with that dude in the 2-3 months leading up to the release than probably anyone in my life. It was a long, tedious process, but he killed it. That’s the homie for life.
-Day In The Life was originally recorded to a different beat produced by my dude Will Power of SupaHotBeats. When Will sent it back to me after making some changes, it was a totally different song in the best way possible.
-There was an incredible Charlie Chaplin quote at the beginning of the song Stand Up where he spoke about the human races’ lack of compassion to nature and each other, but we had to remove it due to copyright issues.
-My engineer Juice became the character BarsTaLoan, a recurring voice in all three of the interludes, one drunken night in the studio. We were all wasted on cheap wine and he just got in the booth and took on this persona. We laughed all fuckin night. Now we all call him BarsTaLoan too, haha.
-My dad, Dave Webster, played the badass guitar solos in both RAD and Ohh Noo. He also laid some background guitar on the breakdown in Nice 2 Be Back and on the last hook of Stand Up.
-Originally, RyattFienix’s vocals were far more tucked into the audio mix on Day In The Life, but i thought she killed it so I had my engineer bring her voice way more to the forefront in the mix, and gave her the feature credit on the song. She’s the shit, good peoples.
-That’s actually me singing at the end of Brim Low. We were about to wrap the song when my engineer Juice accidentally looped the outro portion of the beat. I was border line blacked out from drinking boxed wine, and I told him to keep it looped while I went into the booth and belted out all those vocals at the end in almost a Janis Joplin-esqe style. I’m definitely going to add that stylistic approach to my music making tool belt going forward.
-I didn’t pay for any features on the album. All of the guest verses all came to be in an organic fashion.
-Grafh was in the studio with me when the song Dopamine was first conceived. I wrote the hook and we laid our verses that night, and then it was months before that song was reproached and sent out to everyone else.
-Jon connor both wrote and recorded his verse to World On Fire when he came through to kick it with me in the studio while he was out east. It took him less than two hours. I can’t remember exactly how long.. that night had to have been about 2 years ago by this point… but it was fast as hell given the complexity of the verse. That man is a beast.
-Sap showed me the beat for So Eazy years ago and said he had sent it to Eminem and was waiting to hear back, but would send it to me if it wasn’t selected. Then he lost the beat, and I pestered him about it for about a year with no luck of him finding it. When he came up to work with me in CT that next year, I told him to reconstruct it right then and there because I had loved the original so much. 48 hours later, So Eazy was more or less done.
-Turnt Up was originally released on 4/20/2013 with a music video me and Dizzy Wright shot in Cali, but was taken down from Youtube due to a sample issue. I liked the song too much to let it slip into obscurity, so I had someone replay the sample and made slight changes to give it the feel of a brand new song.
-It’s hard to say, but I think my favorite song on the project is Stand Up. I feel like it’s important to use the voice I now have to spread awareness and try to make the world a better place in whatever way possible.
-The voice of my manager in the third interlude is actually my manager Dana. The label executive was played by another member of the team, Chris Fury.
-Skrizzly Adams was my main in house engineer until recently when his own solo music career started to take off. He both produced and sang on World On Fire, along with a good handful of my old songs like And The Beat Goes On, Until I Die, and Crashing Down. Great kid, and super talented.
-Opening my email and hearing Tech N9ne’s verse on Ohh Noo for the first time was single handedly one of the coolest moments of my career.
-Me and my homie Lunch Box wrote a few of the hooks featured on the album at Circle House studio in Miami while taking bogie breaks and drinking coffee flavored Monster energy drinks.
-All 3 of the interludes were based on my life. The first couple take place at a house party and on a blunt ride, which were the two most common places for me to break into a freestyle when I was young and on the come-up, many times with my homies beatboxing for me. The final one is in a label office, showing how I learned how to put my years of practice into effect when it really counted. Rapping on the spot and impressing people with freestyles or a hot 16 I had up my sleeve was always my go-to move when I was growing up, and I felt it was important to include that vibe on my debut album.
DOWNLOAD | Dead Residents – Dead Thy Neighbour
In our popular “25 Facts” series, we have the pleasure of presenting Dead Residents’ “25 Facts About Dead Thy Neighbour” which is the latest project from the duo. Dead Residents (Junior Disprol and Chud Jackson) give us 25 facts about their Dead Thy Neighbour project (see below) which you won’t find anywhere else. Also please support by downloading the album from the links listed above.
1). Junior Disprol’s 7” ‘Fight Club’ and the Fleapit track ‘Mangle to This’ both make reference to ‘Dead Residents’ in the lyrics.
2). Dead Residents was originally Junior Disprol and Mr Matrix. They formed in Bristol in the late 90’s. One track was demo’d ‘Hollow earth Theory’.
3). The second incarnation of Dead Residents was a collection of Bristol freestyle cypher tape sessions Disprol was part of in 2000 -01.
4). Junior Disprol and Chud Jackson were originally in a crew called C75 that they formed together while at school.
5). Dead Thy Neighbour features Fab5Freddy, Donald Sinden, Smiley Culture, Arfon Haines Davies, Linton Kwesi Johnson, Prime Rhyme Masters, Frisky Dingo, and the ‘T’ Scheme Rockers.
6). Dead Residents once had a track greenlit for an Irvine Welsh production which eventually got shelved (the film that is, the track is called *‘Erasertooth’). *Bonus track on their Triple Crown LP download available on their Band Camp page)
7). Track 12 on Dead Thy Neighbour was made on an organ liberated from a local school by Retch of The Bukyak Brothers.
8). Rubbish Song was originally titled ‘Portrait of an Artist through the Contents of His Bin’.
9). Kaleidoscope is based on a true story.
10). Dead Residents are banned from airplay in North and South Korea.
11). Jun Dis and Chud have a big following in Japan as ‘Vanilli Gorilli’ (‘Dead Residents’ in Japanese), having been headline support for a K7 and Bel, Biv, Devoe reunion tour across Japan in 2005.
12). Dead Thy Neighbour should’ve been out ages ago.
13). Dead Thy Neighbour is a useful tool for establishing a series of boundaries between yourself and your neighbours.
14). ‘DTN’ was overseen by Professor X.
15). One of the tracks that didn’t make the final cut of ‘DTN’ was called ‘Fuck Orrf’ which was a track about ‘charity muggers’.
16). Dead Residents isn’t a cult, it’s a registered organisation and it resents the accusation.
17). Dead Thy Neighbour is the perfect accompaniment to a soft candlelit dinner for you and a hostage.
18). Dead Thy Neighbour has got much flava.
19). Dead Residents slept on the floor of a strange room in an odd building after a gig in Hamburg a few years ago. The next day they discovered it was a friend of the promoters’ nans’ room at the residential building she lived (she wasn’t there at the time btw). Hence why they were asked beforehand if they could be quiet overnight…
20). If you don’t like Dead Thy Neighbour you got the vapours.
21). Junior Disprol did music for a Sega Saturn game once.
22). Dead Residents are concerned collectively that they may end up referring to themselves as the Dead Residents in the third person after completing these questions.
23). While typing this up I was watching a Kate Bush documentary on BBC 4.
24). Acid 2, a cracked and corrupted version of Cool Edit Pro, tape decks, a Stylophone, plug ins, various toy keyboards, a stolen organ, coconuts, empty beer bottle, zip scratch and a stranglers thumb were all incorporated into the recording of Dead Thy Neighbour.
25). Dead Residents are currently working on a Junior Disprol solo LP.
In an exclusive feature with IGN, we’ve been given some information regarding the new WWE 2K15 game. There’s the inevitable 30 Years of Wrestlemania campaign mode which is a very introspective story than recent editions. 2K haven’t announced which rivalries will be featured but we’re sure to see appearances from the likes of The Undertaker, Stone Cold, Shawn Michaels, The Rock and many more. MyCareer will give fans the ability to have your own character go through various historical events which will emulate the NBA 2K14 career mode. Look out for plenty of more updates from WWE 2K15 in the very near future.
DOWNLOAD | Invy Da Truth – V.I.C.E
PREVIOUS | Invy Da Truth – Loyalty
Here is the latest Hip-Hop Kings exclusive, this time with Invy Da Truth and his recently released debut album “V.I.C.E”. Invy Da Truth gives us 25 facts about the album that you won’t see anywhere else.
1. V.I.C.E is an acronym for Vast Intoxicating Chemicals Everyday
2. Oldest song is from 2011.
3. Is the second album title selection
4. Has one featured verse (Jamall Bufford)
5. Is executive produced by Chanes
6. Featured 7 Michigan based producers
7. None of the album was made sober
8. I did all my own hooks
9. Five senses was recorded in Arizona produced by Chanes (MI)
10. Big Dawg was record in Michigan produced by Jmatt (AZ).
11. 12 steps used to be 2 songs
12. Drinking alone video has no stunt drinking. All real
13. Big dawg video was shot on the south side of Chicago
14. The producer of Corner Store and lifestyle shot the video for highlight reel
15. Chanes produced a little less than 50 percent of the album
16. Control verses are true stories
17. Binge watching “eastbound and down” with Chanes influenced Kenny Powers
18. The artwork was inspired from the bathroom stall at St. Andrews hall in Detroit
19. Invy’s favorite VICE is lust.
20. Leon speakers sponsored the album
21. First listening of album was done in the sound test room at leon speakers
22. The album is dedicated to my unborn twins
23. I never met 2 producers on the album (Jmatt and Stephan Black 123)
24. The album was recorded with the same mic as Voltron
25. It is a must download!
The release of Tical O: The Prequel is one that doesn’t sit very well within Method Man’s discography. He’s the first to admit it, quoted “On the third LP, it was suggested to bring in Harve Pierre and P Diddy. Who am I to argue? Puff knows how to sell some records. But that wasn’t the direction to go in, and I know that now.” The statement is probably a relief to most Wu-Tang and Method Man fans who clearly agree with his retrospective views.
In 2004 we saw Tical O: The Prequel hit shelves which ultimately reached number two on the Billboard 200 chart and reached a certified “Gold” status for it’s sales. Nobody faults Method Man for the release but the bitter disappointment was shared, as fans were expecting a better, more polished “Tical 2000: Judgement Day” which boasted an incredible 28 tracks (including skits) and had production mostly by RZA and Wu-Tang Clan members. That rule was only broken for Prince Paul, Havoc (Mobb Deep) and Erick Sermon so nobody complained about that decision either.
Two years later we quickly had a new album titled 4:21: The Day After, which went back to basics (production from RZA, Havoc, Erick Sermon and Scott Storch among others) and guest appearances from Fat Joe, Styles P, Redman and other Wu-Tang affiliates. For true fans you’ll remember the bonus U.K track “O.D”, but although the album didn’t reach the same commercial success (number 8 on the Billboard 200), it was a much preferred album for Method Man fans.
We’re more likely to see Method Man in a movie or a guest feature in 2014, but rumours of an upcoming album (Crystal Meth) this year continue to surface, and of course his work on the one-copy Wu-Tang Clan album “Once Upon a Time in Shaolin” give fans continual hope of more excellent music from one of the most lyrically and technically astute MC’s in our generation. Look out for Method Man and Redman performing in Croatia at the 2014 Fresh Island Festival in July.
PRE-ORDER | Copper Gone – Sage Francis
Following in true tradition for our “25 Facts” series, here is Strange Famous Records’ Sage Francis giving fans 25 Facts about the upcoming album “Copper Gone”.
1. The title for “Copper Gone”, though based on graffiti that’s painted on abandoned buildings in my area, came to me in a dream. In my dream my Grandmother asked me how “Copper Gone” was coming along. I liked the way it sounded when she said it.
2. “Make Em Purr” was written and recorded in on the same night I received the beat. I thought the album was finished before I received that music and it immediately became clear that the album would be incomplete without it.
3. I own two cats. The mom and son. The momma cat is the last thing my dad ever gave to me. He found her on the street but he couldn’t keep her so he asked if I would take her in. Turns out she was pregnant. I ended up keeping the runt but we had to give the rest of the litter away. These two cats have been my life force for the past few years and I wish they were cool with traveling because it really sucks to be away from them.
4. “Grace” is a song that contains lyrics and concepts I’ve collected over the past 10 years. The subject is a conglomerate of many people I’ve known and taken shit from in the past decade. I repeat “This is not a love ballad” a few times throughout the song. That phrasing is in reference to the intro of “Shakiyla” by the Poor Righteous Teachers. Wise Intelligent of PRT says “THIS…is not a love ballad” at the beginning of the song and I’ve always wanted to sample it. A few years ago I asked him if I could sample it and he gave me permission, but once I recorded the song I decided it sounded better being delivered in an understated kind of way.
5. The video for “Grace” was inspired by a Japanese film called “Survive Style 5+.” In the music video there’s a part where a woman straddles me and then slaps/chokes/scratches/punches me. We did about 20 takes. Acting is fun.
6. I basically freestyled the chorus to “Pressure Cooker.” I knew where the words were supposed to be and in which cadence, but I had no idea what I wanted to say. Eventually I found out the phrase “I’ve been busy…doing stuff” to be one of the unintentionally funny things I’ve ever said. And I didn’t even know it was funny until I saw every single one of my friends laugh at that part.
7. A couple of the beats I use on this album were discovered from remix contests we’ve held at Strange Famous Records over the past several years. In fact, a lot of the beat producers on this album were originally discovered through SFR remix contests. Although they’re tedious as all hell, I’ve found remix contests to be a great way of discovering production talent.
8. The entire album was recorded in my house in a studio held together by duct tape and strings. There’s no way of explaining how impossible it was for all of this to get recorded in the time frame that it needed to get done on the equipment that I had at my disposal. But I got it done, goddammit.
9. My original plan was to record this album at the end of 2013. However, I ended up touring Australia in December and then I returned home with pneumonia. Most of the album was recorded with a chest infection which was a painful and difficult process. I had to re-record the vocals many times because of this, but I only had one month to do everything which means I haven’t slept much since February.
10. Reanimator and Alias are the only two producers on this album who also made contributions to my first album, “Personal Journals.” They’re both married, they both have one daughter, they both have office jobs, they both like to cook, they’re both incredibly nice, and they both make me wonder where I went wrong in life. Haha. No, they rule and I’m just realizing right now how similar their lives are.
11. I’ve never had an emcee feature on any of my official albums. The first studio album I recorded was in 1998, so I’ve gone 16 years without having Busta Rhymes feature on any chorus.
12. B. Dolan and Prolyphic are both Rhode Island emcees who are on Strange Famous Records and their vocals are sampled on Copper Gone. It may appear to be self-serving to sample people on my own label, but the only hip-hop I tend to listen these days are SFR songs. When I hear lyrics, a lot of lines stick in my head and I can’t get them out. And then sometimes they work perfectly in the chorus of a song.
13. “Say Uncle” originally had entirely different lyrics. I couldn’t figure out how to be cryptic enough to the point where I wouldn’t be putting someone else on blast, so I decided I’d rather have the song be mainly about me. That way I wouldn’t have to answer questions about the person for the rest of my life. Also, in the second verse, I give a head nod to Eyedea by referencing “Shadows have Shadows” and “Oliver Heart.” When those lyrics came out of the pen I thought it was adequately subtle yet obvious at the same time in a way that he might appreciate. Miss him.
14. “Once Upon a Blood Moon” is about a woman I was with for 6 years. A bulk of that song probably sounds like playful symbolism or use of metaphor, but the lyrics reference literal situations. Some shit you just can’t make up. It took me an incredibly long time to record that song due to my inability to actually say a lot of the lines. I had to separate myself quite a bit from the material in order to deliver it. Now when I play it live it feels like I’m telling someone else’s story which makes things a whole lot easier. That’s the power of putting your life onto page sometimes. I’m not sure if that qualifies as healing or simply numbing oneself, but I’ll take it.
15. When I listen to music for leisure I tend to just listen to piano or ambient stuff. It’s usually material with very simply lyrics or no lyrics at all. Stuff that makes me calm. Something to fall asleep to.
16. The album illustrations were done by Inkymole, the same person who held the “When A Girl Writes Off the World” art gallery show for me in London back in 2006. She also did the illustrations for my Human the Death Dance album.
17. “The Place She Feared Most” was originally titled “Space.” However, since I already had a song called “Grace,” I decided to change the name of the song because I didn’t want to have two songs on the same album with titles that rhymed.
18. The part from “The Place She Feared Most” that made me laugh after writing it is the section where I explain what a phonebook is. I referenced a phonebook and then I realized that some people might not even know what the hell a phonebook is. For the record, it’s basically “a black book for fat fucks who can’t cook.” Which begs the question to the younger generation…”what the fuck is a black book?”
19. My mother was a life guard for a majority of my childhood so she got me swimming at a very young age. The title for “Dead Man’s Float” is based on an actual style of swimming that people are taught to do to conserve energy if they are ever in trouble while in a vast body of water. I wasn’t sure if this was an actual term until I just Googled it right now. Turns out it’s not something I incorrectly remember from my early days (*Phew*).
20. The title for “Over Under” and the inspiration behind it was based on a girl who told me (among many things) to “get over myself.” I’m willing to bet that she has no idea how over myself I actually am.
21. Irena Girlbot did the art design and layout for “Copper Gone.” She laser engraved Inkymole’s “Copper Gone” illustrations into a plexiglass plate and then made a copper relief out of that plate. The album cover is a photo of that copper relief. We then used the plexiglass cliche to do monoprint posters in the kitchen of my home. We’re still trying to perfect that process before making them available to the public. I’ve been working with her on various albums, shirts and website designs since 2004. However, as she lives in Croatia, I only met her briefly while touring through Europe. We’re now touring the world together with her as my VJ. She projects videos that correlate with each song onto the stage. Trying to figure out how to keep her on US soil has proven to be insanely difficult and costly thanks to arbitrary US immigration laws, so I might just have to spend more time in Europe moving forward.
22. Originally I wanted to connect every song in a way where the end of one song would be the beginning of the next song. On some of the songs you’ll notice that the last line of one song rhymes with the first line of the next song. This became a bit messy when I needed to switch the arrangement for the sake of pacing, but I’d like to execute that shit properly one day. And it’ll probably be a in way no one notices so I’m not sure why I obsess over little things like that. Haha. It’s just for me.
23. A song called “Brick by Brick” (prod. by Buddy Peace) was recorded for the album, but we eventually had to leave it off because of a weird clicking sound in the drums that were sampled. It’s a really fun story-style song, but I think it will probably work best on another album or mixtape if I can ever figure out how to recreate it without the weird clicky sound in the drums.
24. Recently a fan from Sweden complained about the song title for “MAINT REQD.” He didn’t understand why I would spell the song in all caps and with weird abbreviations. The song title came from the warning signal on my car’s dashboard that says “MAINT REQD.” It never goes away and every time I drive the car I see it. “MAINT REQD”….that’s how it’s spelled and that’s how I say it in my head.
25. The adlib at the end of “ID Thieves” is 100% authentic and off-the-cuff. Once I was done delivering the verse the extra words just came out of my mouth as I was walking away from the mic. I’m guessing this how ugly my accent always sounds when I’m talking to myself.
Following the success of our “25 Facts” series, we’re delighted to share our second in the series from an American artist, this time from Kid Vishis for his upcoming album “Timing is Everything”. Kid Vishis gives fans 25 facts about the album (kind of) which fans won’t find out about in interviews or online. You can check the previous 25 facts articles on the links above, and look out for plenty of more promotion from Kid Vishis as we lead up to the release of Timing is Everything, which will be available to download from the 22nd July through Seven 13 Entertainment.
1. This album is the beginning of many to come *hint hint* Another album this year
2. Kid Vishis is a big boxing and MMA fan
3. This album is the start of my momentum and the growth of Kid Vishis as a Mc
4. Kid Vishis writes All of Royces lyrics lol!
5. The artwork for T.I.E was done by a genius named Bambo Slice
6. My favorite producer in the rap game gave me two beats for this project (Mr Porter)
7. Chase Moore did like half the album because he is a machine and kept sending heat so I kept killin em
8. I don’t have a best friend, I only hang with my brothers. Mad associates tho lol.
9. The character “Billy Hoyle” from the movie “White Men Cant Jump” is really Toy B from Seven13 Music
10. My brother Royce da 5’9″ is my only feature for the album
11. I think Monster energy should sponsor me
12. My favorite rappers to spar with besides my brother is Horseshoe Gang
13. Nick Zervos from Toronto sent over a few beats but I never got past the first and my intro was born
14. The producer Nemisis is not a person, he is a machine that is programmed to make beats
15. Jon Jones is my favorite MMA fighter and Floyd Mayweather is my favorite boxer even tho Tony B hates on him
16. The only other vocal besides Royce on my album is my wife Lulu Dahl doing background vocals
17. I was liquor free the whole album, I only drank Monster energy drink
18. I thought I would make it to the NBA before I ever picked up a pen
19. I believe Tony B is the young Albert Einstein of our generation
20. I will not be dropping a mixtape, I will be droppin a mix-album, all originals
21. I went to the studio with my brother about two months ago, I saw Eminem and he shook my hand and I have not been able to stop writing since. Smh. I think the big homey gave me power
22. Message to the Mcs ” All you sons of bitches is sons of Vishis”
23. I was and still am to this day addicted to the carrot cake from the restaurant J Alexander
24. If you press play on the first track of my album, you wont skip a track unless youre a chump that is..
25. Without the producers on this album, Royce and Tony B, oh yeah and Eminem’s handshake lol, my powers might not have been heightened to the levels that they are today
DOWNLOAD | The Theremin – Edward Scissortongue
Following the release of Edward Scissortongue’s “Theremin E.P”. Hip-Hop Kings presents the exclusive series “25 Facts about Edward Scissortongue – Theremin E.P”. Enjoy.
1 – There is not a single ‘Theremin’ sampled or played on the EP.
2 – The tooth I pull out of my mouth in ‘Theremin Trailer II’ is not real. It was made with a 3D printer.
3 – The entire design/artwork process was done via Skype calls at 7AM with my designer Joni who lives in Melbourne, Australia.
4 – I sing on ‘The Wipeout Soundtrack’ (listen very carefully).
5 – New York based producer Eon Ra contributed the instrumental for ‘Teeth’. I have never met him but he is flying over from NYC for the official launch party.
6 – Dirty Dike has produced a shit ton of beats in the past 2-3 years. He flagged the instrumental as ‘Theremin’ as one for me to write to, so I did. The original plan was to write a song about androids invading earth but ending in a massive android x human orgy on the top of a hill. However, I never got that far with it.
7 – I commissioned my dear friend Miles Courtney to produce a piece of music that would ‘propel the listener into the future’. Track one (Take Readings) is that piece of music.
8 – I always wanted to write a song which used a frisbee throw as a metaphor for life and death. The throw representing being ‘born’, the flight representing ‘life’ and the frisbee hitting the floor representing ‘death’. The final verse on ‘The Calculator’ is that verse.
9 – ‘Teeth’ has got so different responses from people I have played it to. It is the most dextrous track on the album in terms of interpretation, but from where I am sat, it is about donating your teeth to the government.
10 – I christened a new pair of Grey marl Huaraches in one of the videos I shot for a project. They got scuffed up in a field. I was pissed.
11 – The guy responsible for the official video for ‘Theremin’ also directed the recent Asda Easter breakdancing chick television advert. Watch this space.
12 – The number of people who told me to turn ‘The Theremin EP’ into a fully fledged album was countless. I told them all to fuck off.
13 – Dj Sammy B-Side’s favourite track on the EP is ‘The Calculator’. Why? Because there are long sections he can scratch over when we play live shows.
14 – I wrote all the lyrics for ‘Theremin PT II’ in the B-Bar in Cambridge city centre in one sitting. It is my favourite writing spot in my home town. I was extremely pissed by the end of the writing process.
15 – Dike once told me that ‘Theremin’ was his proudest moment as a producer. This will never change.
16 – I first met Toyface (the vocalist on ‘The Wipeout Soundtrack’) at a filthy rave in Bristol, way back in 2009. She was dressed as a bumblebee.
17 – Johannes Schaff recorded the SOS call on ‘Theremin PT II’ in a tapas bar in Covent Garden. He got emotional, which I liked.
18 – The co-ordinates that Johannes Schaff cites in his SOS call are the exact co-ordinates for the anchor at the top of Deptford Market. The anchor is no longer there.
19 – Given the choice of all the possible ways that mankind might become extinct that I address on the record, I would personally choose massive tsunami.
20 – I am a huge fan of Rammstein.
21 – Writing an EP so full of doom and gloom has inspired me to write a completely different album with Lamplighter on the buttons as my next solo adventure. This time around we are writing an LP full of love songs.
22 – I met Bryan Adams once. I had lunch with him. He wasn’t very nice.
23 – I successfully got a crowd of 400 people to sit down when I played ‘Theremin’ live in Sydney late last year. Everyone sat down, including myself, it was fucking epic.
24 – The pantone colour on the cover of ‘The Theremin EP’ is extremely hard to distinguish for printing purposes.
25 – I am extremely proud of the project and hope you like it as much as I do.
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Here is the brand new Grieves interview we conducted at Hip-Hop Kings during his UK tour in Manchester. Grieves has recently released his album “Winter and the Wolves” which commercially, has been his most successful album to date. We caught up with Grieves at the Soup Kitchen in Manchester and talked about his UK experience, along with the new Winter and the Wolves album and the rest of Grieves’ plans for 2014. Make sure you download Grieves – Winter and the Wolves from the iTunes link listed above, and you can also watch the exclusive Hip-Hop Kings Grieves Interview on the YouTube player below.